Custom-made label holders for the Museo de Arte de Ponce in Puerto Rico. Exhibition signs for the The Nobel Peace Center in Norway. Comprehensive visual identity guidelines for the new American Wing of The Metropolitan Museum of Art: creation of an integral, consistent system for all exhibition elements of the galleries such as wall panels, captions, floor plans and pictograms. Interactive panels for the New York Historical Society and many more design projects.
This way up
Stencil signage system, including family of pictograms, created for the Nobel Peace Center in Oslo.
Design consultancy for The Metropolitan Museum of Art’s American Wing, New York, developed in collaboration with Small Design Firm and Timon Botez. We included an information system containing cultural and historic context about the gallery and divided the data in two categories: research and recommendations.
A substantial portion of the New-York Historical Society’s fourth floor has reopened as the Center for Women’s History, a cutting-edge museum and scholarship hub. This landmark initiative is the country’s first permanent, public exhibition and educational center dedicated to women’s history. It highlights the significance of women’s history to the study of the American past and demonstrate how women across the spectrum of race, class, and culture exercised power and brought about change even before they could access the ballot box. Guided by a committee of distinguished historians and informed by the latest research, the Center combines permanent installations, temporary exhibitions, and a vibrant program of talks and debates to enrich the cultural landscape of New York City. The large-format, permanent multimedia installation Women’s Voices presents a diverse array of stories, exploring how women’s words and actions have driven social change from America’s earliest days to the present.
The interactive display gives voice to famous and forgotten women, and the movements and networks to which they belonged, alongside video commentary from leading historians and thinkers in women’s studies. Visitors to the Center have the opportunity to discover new role models, pursue unexpected links between historical figures across time, and contribute their own stories to an ever-expanding network of knowledge.
Poster designed for the exhibition Air Report by argentine artist Julián D’Angiolillo, organized and curated by Móvil, a non-profit space dedicated to contemporary art based in Buenos Aires.
Flyers designed for two exhibitions organized by Móvil in 2017. Móvil is an independent non-commercial organization involved in the production and exhibition of contemporary art. Its main interest is experimentation and bringing emerging practice closer to the wide public. For further information, visit www.movil.org.ar
The Future Will Be Fiction
Poster announcing the exhibition The Future Will Be Fiction by artist Joaquín Aras, organized and curated by Móvil.
Between Us and The Object
Poster announcing the exhibition Between Us and The Object by artist Santiago De Paoli, organized and curated by Móvil.
Poster announcing the exhibition Saga Candado by artist Nicolás Sarmiento, organized and curated by Móvil.
Poster announcing the exhibition Oblicuo by artist Sebastián Roque, organized and curated by Móvil.
I Am an Island
Organized by the Phillips Collection, Washington DC, this exhibition includes 65 artworks by Cuban artist Zilia Sánchez (born 1926), which represent her prolific career: from her beginnings in Cuba and her trips to Europe and America, to her arrival to Puerto Rico, where she lives and works since the 70s. This exhibition includes paintings, works on paper, three dimensional canvases, illustrations, sketches and ephemera.
This exhibition presents the stories hidden behind a select group of objects from the European art collection of the Museo de Arte de Ponce, discovered while they were underoing extraordinary research due to the lack of information on their provenance. The exhibition highlights details that are not obvious at first glance and reveals elements from the research process.
A small show at the Ponce Museum of Art (Museo de Arte de Ponce) of thirteen pieces – a marble sculpture and twelve carvings of penguins- from the Spanish artist exiled in Puerto Rico Francisco Vázquez Díaz, “Compostela.’’ The sculptures, donated by the estate of the artist, represent one of the Museum’s new acquisition and come to enlarge the collection of 20th century art.
This exhibition invites us to rethink the relationship of the founder of the Ponce Museum of Art (Museo de Arte de Ponce), Luis A. Ferré (1904-2003), with Puerto Rican art of his time. According to the curator Pablo Pérez d'Ors, “The Puerto Rican hall of the Ponce Museum of Art was an important milestone, especially if we remember that no other institution in the world then had a permanent and non-commercial installation of Puerto Rican art.”
The Frick Collection is a prestigious New York museum located in a mansion on Fifth Avenue. This exhibition at the Ponce Museum of Art (Museo de Arte de Ponce), presents ten small masterpieces of an intimate nature, mostly on paper, by important European artists such as Goya, Durero, or Delacroix.
Inspired in the power line-posts and security mirrors so familiar and present in New York city's urban landscape, the contemporary totems of New York artist Marko Remec invite the public to reflect on the qualities of urban and suburban conditions of our time: surveillance and paranoia, narcissism and indifference.
Graphics for interactive installation of historical displays at the Louvain Institute for Ireland in Europe. The aim of the project was to allow visitors to learn about the history of the place by travelling in time.
The history of Jesus' passion and death has been an inspiration to a large number of artists throughout the centuries. According to the curator Pablo Pérez d'Ors, French artist Gustave Doré stands out among them for the intense darkness he portrays, representing the scenes of one of the greatest stories ever told. The exhibition invites the public to discover and understand how Doré created totally original images drawn from the Gospel.
The Federal Wall engages visitors in the relationships between objects, events, ideas and people. The wall uses art, historic documentation, period ephemera, and the words and deeds of historic figures in conjunction with digital displays and augmented reality to tell the story of the United States' founding period.
The Audubon House is a non-profit museum and gallery dedicated to the history of Key West and works of ornithologist John James Audubon. Design of a series of exhibition panels that provide information about the content of the period rooms.
This retrospective celebrates the 100th anniversary of the birth of Ukrainian artist Jack Délano (1914-1997).
Paradise & Words
The Paradise & Words exhibition is a historical-artistic exploration of Puerto Rican art, from 18th century to the present, through a unique selection of over 250 pieces from the Museum's different collections.
The Museo de Arte de Ponce lives within a work of art: its landmark building by Edward Durell Stone, one of the twentieth century’s most unconventional architects. To celebrate its fiftieth anniversary, the exhibition Making the Museum charts the evolution of Stone’s design through a selection of architectural drawings never before shown together in public.
Luis Camnitzer: Art in response embodies a conceptual discussion between contemporary art and the cultural tradition of European art in the collection of the Ponce Art Museum. The invitation was delivered jointly with the invitation to another parallel opening, Emilio Sanchez: Light, line and shadow.
In his first individual exhibition in the Americas, Matthias Weischer presented his most recent prints and paintings. His work shows a multifaceted interplay of colour, light and forms whose multilayered compositions offer a festival of patterns, shapes and objects, all placed in artificial settings. The virtuous artworks engage both the eyes as well as the mind.
Label design for the Museo de Arte de Ponce.